《我们依旧一样》，作为一部个人 AE 动画项目，探讨被监视、羞耻感与身份崩塌所带来的体验。通过高对比度的视觉风格、重复出现的眼睛意象，以及碎片化文字，呈现出一种被偏执与暴露吞噬的精神景观。配乐选用氛围感强烈的《洞穴生活》-Kikuo，模拟在他人凝视下，逐步走向内在瓦解的过程。探讨在瓦解中寻找自我修复的可能，表达了在崩溃与撕裂之间，人们依旧渴望被理解与接纳的情感。
This is a personal AE individual animation project exploring the psychological experience of surveillance, shame, and identity collapse. Using high-contrast visuals, repetitive eye motifs, and fragmented text in Japanese kana, it depicts a mental landscape consumed by paranoia and exposure. Set to the haunting track Hole-Dwelling, the work simulates a descent into internal disintegration under the gaze of others.
动画的目标受众包括对视觉心理、孤独感以及异化主题敏感的人群，尤其是喜爱心理惊悚、暗黑美学与表现主义动画的年轻人。这一群体不仅限于典型的动漫爱好者，还包括小众独立动画的拥趸、视觉艺术专业学生、痴迷符号的文艺青年，或凌晨三点盯着墙壁思考人生意义的创作者们。
The target audience includes those sensitive to visual psychology, loneliness, and themes of alienation — especially young people who enjoy psychological thrillers, dark aesthetics, and expressionist animation. This group extends beyond typical anime fans to niche indie animation lovers, visual art students, and artists who stare at walls at 3 a.m. questioning their own existence.
https://www.bilibili.com/video/BV1ifdHYMEij/?spm_id_from=333.1387.homepage.video_card.click&vd_source=9f9cabe3f66984c7e335d6aab8d8f1e0
Referencing and Credits
Visual Materials
All visual materials—including backgrounds, characters, and props—were originally illustrated by Xuan Xu using Procreate, and exported as PNG files for use in Adobe After Effects. No PSD files were used in the AE project.